Home Sign Guestbook View Guestbook Message Board Join Rookies Mail Group Email

Main Menu

Cast Menu

The Galleries

 



 

“I don’t know what I want to do. I don’t think in terms of my career. I take it as it comes in terms of work. I want to do other things. Now I get up, play the same character, express so many attitudes that aren’t my own. In a series like this you don’t really know where the character is going. When you do a play or a movie, you can see the whole character and where it’s going. The business part of all this also takes a lot of the joy out of it.”



 

   
 
Georg Stanford Brown > Interview    


An interview – of sorts – with Georg Stanford Brown
TV 74 - The new shows...The new stars
 

Yes, we promised for the tenth time, we know Georg Stanford Brown spells his name without the e. We will not put an e on it. But when, we asked , do we get to interview him?
“We’ll go to the set,” replied a cheery ABC publicist. “The Rookies is in production. We can talk to George between scenes. He knows we are coming.”
Great. Off we went. We arrived at the set at 11 A.M. We emerged five hours later. By that time, we’d interviewed Georg Stanford Brown – kind of.
The Rookies is in its second season on ABC. It had reasonably well in its first season. It had shown a “new breed” of policemen at work – young, dedicated, concerned about right and wrong. Some of the scripts had been rather unbelievable, but, overall, we liked the show. We were eager to meet Georg.
We’d heard rumblings during the summer that the three young rookies – played by Georg, Michael Ontkean and Sam Melville – thought they ere being underpaid. Production had been hailed for one day. We hoped the dispute had been settled and everyone was happy again.
We watched Georg, Michael and Sam rehearse a scene several times. During a pause, Michael came by and said hello. He looked taller. Obviously he’d lost weight since we’d met him the year before. Then Georg came over and said hello. Someone standing nearby said it was good to see him at work. His eyes flashed. “I don’t like to fight. I just like to be honest,” he said as he departed.
We settled down in vacant directors’ chairs and watched the rookies go through the scene again…and again…and again. Nobody seemed to know what Georg had meant by his passing statement.
At one point, there was another break. Interview time? Georg came by and said, “I’ll be right back. I have to change my clothes.” Then he disappeared. We amused ourselves by talking to one of the technicians. We never were sure whether he handled the lights or the camera, but he told a couple funny stories.
Valuable interview time was passing. Twenty minutes later, Georg reappeared. His costume change had consisted of changing his shirt. It was time to go back to work. Each time he passed after that, he’d say, “I am sorry, I am sorry,” as he dashed off. At one point, something was being changed on the set. Georg sat on an exercycle and starred into space. Finally he said he had a few minutes.
We knew Georg had done some movie and TV work, but he’d never been one of the leads on a TV series before. How had the first year gone? Had it been fun, exciting, difficult?
He looked at us without expression. “It was fun, exciting, a drag,” he replied. “It was terribly difficult. It took a lot out of me. That’s what the year was like. This year will be fun, exciting…” We began to be sorry we’d asked that question.
According to ABC, Georg was born in Havana, Cuba and lived there until he was seven years old. In 1950 he moved with his mother, father and sister to New York City. He was, also according to the ABC biography, graduated from William Howard Taft High School.
“That’s not so,” said Georg. “I quit school at 16. It was boring. During my last year at school I cut 44 days one semester and 54 days the next semester. They came to me and said, “Are you happy here? Do you want to leave?” I said I’d be delighted to leave.
“So I quit and hung around street corners. When I was 17 I auditioned for a scholarship to go to the Institute of Vocal Arts. I won the scholarship, but I didn’t go. I took off – and ended up here in Los Angeles.”
Right then a young man in a print shirt and brown pants sauntered up, shook hands with Georg, and the two wandered off. Georg appeared to be carrying on a heated discussion with him. Apparently, this was his business agent. Georg reappeared when he was called back to the set. His business agent came over to us, sat down nearby, and said “Who are you?” We decided not to interview him.
Finally Georg came back. In response to a question, he said, “I am involved with my family, myself, trying to relax. I used up too much energy last year. I want to learn. I want to concentrate. While the show was out of production I went to Mexico for three weeks with my family,, then my wife and I went to Spain, Morocco, Paris, London…It was fantastic.
“I don’t know what I want to do. I don’t think in terms of my career. I take it as it comes in terms of work. I want to do other things. Now I get up, play the same character, express so many attitudes that aren’t my own. In a series like this you don’t really know where the character is going. When you do a play or a movie, you can see the whole character and where it’s going. The business part of all this also takes a lot of the joy out of it.”
Once again, Georg was called back to do the same scene again. We’d seen two different scenes during the five hours – and we were beginning to know each one of them backwards and forwards.
On our way out, we saw Gerald O’ Loughlin, who plays Lt. Ryker in the series. He was sitting off at the side studying his lines. He brightened and gave us a friendly smile. “Thanks so much!” he said cheerfully. For him, there still seemed to be plenty of joy in having a role in a weekly TV series.
 
By Peggy Herz
 
Transcribed by Christos Spirou for use on The Rookies Online: http://www.therookies.gr
For entertainment purpose only. No profit or copyright infringement intended.